Soundtrack to thinny Blue Line is also suitable for really dark Friday night on Sveavägen Avenue in Stockholm City.
We have had a lot of visitors to the blog in recent months from the US, Singapore and Hongkong. Could it be an interest in reading about the Palme assasssination or is it just AI bots that for some strange reason seem to want to practise on Kistalights eminent written works? Good for the statistics anyway! Here we make a translation of our blog about The Palme Assasssination, Fredagskväll på Sveavägen. Februari 86
Brr for those days, when ... Olof Palme was assassinated, a killer disappeared up the stairs on Tunnelgatan over Malmskillnadsgatan down along David Bagares Gata. ... A black hole of the Swedish Peoples Home! A murder story that takes place in shady neighborhoods with prostitution, drugs, gambling clubs, porn publishers, places for drag queens shows, mental illness and PKK;s premises. Enviroments you don't like to associate with a good society! Also a police organization that glossed over traces, surveillance measure up when it was put to a serious test. Aftonblade had a binder with what to do if the primeminister was shot on Drottninggatan. The policeorganization had Hans Holmér!
Brr for those days, weeks and years when Sweden´s institutions allow an assassination of a swedish prime minister to become a sinkhole for internal tensions, prestige, positioning, power struggles and the police as a dysfunctional organization. An organization that did not neccessarily celebrate or respect a Socialdemocratic organization and popular movement. We talk about how there are friction between police, prosecutors, politicians and media and all others (narcissists) who wanted and took place on the social scene, see That´s my old Smith & Wesson.
What, if you guys ... It so happened that when Palme was waiting outside the Grand Cinema, Christer A (today one of the candidates who is the main suspect in the murder of Olof Palme) happened to walk by and saw the Palme couple. Christer A who was upset that his shareholding as à private Investor had fallen in value and increased his debuts … as he had actively mortgaged his shares to buy more and more, as becoming rich as well. He had previously had a fixation on Palme and the Socialdemocratic movement, everything was their fault for what went wrong for him when it came to education and various jobs (simple ones) and now the crash with the shares. When they commented on the Swedes' Perpetrator Profile about the Palme murder, the FBI had considered that the perpretator perhaps suffered more from a fixation than from hatred. A fixation that took over on the day of the murder and became a now damn ... ?
Christer A goes home and gets his puffer, he is good with weapons and a member of a shooting club where he has also won the KM (clubmaster) and become an accepted member he shows himself off with a half-length old fluttering coat and a mysterious woolen hat; now the bastards are going to make up, waiting outside the cinema Grand, he is observed by witnesses, he is even sketched sfterwards by a young girl and also by the son Mårten Palme who perceieves an intensely staring man with a slightly pious appearance, the so called Grandman, where there is also a phantom image created by the police with Mårten Palmes assiistance. Is there reason to wonder wheter The Grandguy is not identical to the Dekorimaman, the murderer, considering that the testimonies from Grand and Dekorima describe a man with similar characteristics.
The Palme couple decide to walk a bit after the cinema, go south on the west side of Sveavägen, are seen by a hot dog kiosk owner with a person who is lurking a bit behind the couple.
Kistalight's theory is that somewhere here the Grandman changes side of the street and sneaks over to the east side of Sveavägen where he continues to observe the Palme couple on the outside of the sidewalk, going under the radar there, in order to be able to overview the situation. When the Palme couple then cross to the east side at Adolf Fredrik Kyrkogata, the Grandman ends up ahead and can wait for them at Dekorima.
Surely you can puzzle with all the witnesses and their observations but there is a certain logic, how the Grandman becomes the Dekorimaman, that it could be this way, certainly shared by many private detective and other and other experts on the Palme assassination.
What if you guys ...
The FBI and the authors of the Perpetrator Profile, Jan Olsson and Ulf Åsgård with their book Crime Analysis Perpetrator Profile desscribe the Palme assasination as a chaotic act. The cahaotic means the choice of murder weapon, Smith & Wesson large and unwieldy and the choice of unusual ammunition, thechoice of murder scene, a high risk crime considering all the witnesses and people moving around Dekorima. The question is whether it is not also a chaotic walk from Grand, angry (pissed of) upcoming perpetrator but discreet, unclear about what he will do, the opportunity makes the murderer, only when he realizes that he can wait for the Palme couple at Dekorima does he decide to strike and shoot there. A sure shooter but not a professional killer, become surprised by his actions, Palmes fall against the pavement and his against Lisbeth Palme, limps away, especially body language, then he runs up the stairs to Malmskillnadsgatan, is observed by a witness at the foot of the stairs and a minute later by a couple on David Bagares Gata who think a man i loitering on the other side of the street and at the same time tries to stuff something into a small bag.
According to Jon Jordås in The Last Book About The Assasination of Olof Palme. Christer A then ran at an oncoming couple when he turned into Regeringsgatan, in Snickarbacken he shielded his face from an meeting person and he was seen in Humlegården in front of another witness before he disappeared up Sturegatan and turned into Östermalmsgatan, then it was not far from his appartment on Hälsingegatan, where he was kind of waiting for the police to show up. Around 1990 he received a written request to hand in his revolver, his Smith & Wesson, for test firing, something he ignored, which is why he also received a written reminder, sic!
What if you guys ...
As Jan Olsson and Ulf Åsgard write in their report Crime Analysis Perpetrator Profile, the perpetrator may have a special relationship with the murder weapon, a relic with symbolic meaning. The weapon becomes part of the identity that gives selfestem, power and something he does not dump and get rid of. Despite his reclusive life (no work, no studies and no friends) Christer A still had a life with his shooting club, was a member of the board, he left in 1986, and was a succesful shooter who won the KM, clubmaster, in theAcademic Pistol Club. Could the shooting club with its buildings and surrondings then function as a hiding place, an archive, for the murder weapon, a special environment where he felt at home and was accepted? Something similar also applied to the relationship with his brother. The shooting club and his brother were his two lifelines, and his brother could also be used as a hiding place without his knowledge. Maybe the revolver can be found by chance and then in a surprisingly simple place with a connection to the shooter or the brother?
Well, it´s important not to dvelve too deeply into The Palme Assasination!
Whoa, you guys ...
It seems that most of it´s already in the Palme Investigation and with private detectives. If you are intrested i searching further, all public materiel from PU is digitized, or about to be ditized in the extensive digitized archive. See the main page, https://wpu.nu/wiki/ a very good page for a private detective or generallly interested in the Palme Assasination. Christer A also has his own page there. Who knows, maybe the revolver will be found, turn up and be found by chance. If you doubt the solution to the murder mystery, you, dear reader, can always chat with Google AI or Chatbot GPT. Then you will always get answers and feedback on your questions and theories and even praise for accuracy, it is smooth as butter, and it can also be a slightly twisted dialouque with our conversation robot, fun if you are inclined that way.
Well end with Neil Young´s beautiful and sad song about war and love which could be a good fit today in the end of april on Valpurgiseve.

what about the translation, the tune, analys and theme in Kistalights text? Friday Night on Sveavägen Avenue February 86
ReplyDeleteTexten är en egenöversättning av blogginlägget "Fredagskväll på Sveavägen". Den bär spår av en personlig, nästan "Swenglish" stil (t.ex. Swedish Peoples Home för Folkhemmet). Översättningen syftar till att tillgängliggöra berättelsen för den internationella publik (USA, Singapore, Hongkong) som bloggaren noterat i sin statistik, oavsett om det är riktiga läsare eller AI-bottar [2, 3].Ton och stämning (The Tune)Tonen är mörk, nostalgisk och djupt skeptisk. Det finns ett tydligt "Brr" som återkommer, vilket inte bara syftar på den kalla februarinatten utan på den kyla och det obehag som mordet och den efterföljande utredningen lämnade efter sig. Stilen är reflekterande och något krass inför samhällets skuggsidor [1, 2].
AnalysTexten ramar in Palmemordet inte bara som ett brott, utan som ett systemfel.Geografi som moralisk karta: Genom att nämna Tunnelgatan, Malmskillnadsgatan och David Bagares gata kopplas mordplatsen till "shady neighborhoods" med prostitution och droger – miljöer som krockar med bilden av det goda folkhemmet [1].
Kritik mot polisen: Författaren riktar skarp kritik mot polisorganisationen under Hans Holmér, som beskrivs som dysfunktionell och mer upptagen av prestige och interna maktkamper än av att lösa brottet [1, 2].Kulturell referens: Referensen till soundtracket från Thin Blue Line (Tunna blå linjen) förstärker bilden av polisarbetets gråzoner och storstadens melankoli [1].TemaHuvudtemat är "Folkhemmets svarta hål". Texten utforskar förlusten av oskuld i det svenska samhället och hur mordet blev ett sår ("sinkhole") där interna spänningar, politisk friktion och institutionell inkompetens blottades.
Det handlar om mötet mellan den prydliga ytan och en mörk, rörig verklighet som Sverige inte ville kännas vid [1, 2].Vill du fördjupa dig i någon specifik del, till exempel de politiska spänningarna eller Kistalights koppling till populärkultur?
AI-svar kan innehålla fel. Läs mer
I texten från Kistalight nämns möjligheterna att hitta mordvapnet främst genom referensen till Christer A och hans Smith & Wesson .357 Magnum. Här är en sammanställning av hur texten och den historiska kontexten ser på detta:Christer A och det försvunna vapnet: Texten pekar ut Christer A (en av de mest odiskutabla "privatspanar-favoriterna") som en tänkbar gärningsman som ägde en revolver av rätt typ. Han vägrade lämna in sitt vapen för provskjutning och påstod senare att han sålt det till en okänd köpare på en marknad, vilket polisen fann föga trovärdigt.Svårigheten att binda vapen till mordet: Även om man skulle hitta en revolver idag, menar tidigare spaningsledare att det är extremt svårt att få ett ballistiskt svar. Eftersom mordkulorna var kraftigt deformerade finns det få tydliga spår kvar att jämföra med.Andra vapenförsök: Texten nämner "That’s my old Smith & Wesson", vilket anspelar på de tusentals revolvrar som polisen provskjutit genom åren utan resultat. Bland annat har vapen som hittats i sjöar (som Mockfjärdsrevolvern) undersökts, men de har ofta varit för rostiga för att kunna ge ett säkert svar.Expertisens oenighet: Det finns en spänning i texten och utredningen där vissa, som den tidigare vapenutredaren Sonny Björk, tror att det fortfarande finns en teoretisk möjlighet att identifiera vapnet om det är välbehållet. Andra profiler som Leif GW Persson har genom åren uttryckt stor nyfikenhet men också skepticism kring om rätt vapen någonsin kommer att hittas och kunna knytas till brottet.Sammanfattningsvis ser Kistalights text vapnet som en del av det stora "svarta hålet" – en pusselbit som fanns inom räckhåll (hos personer som Christer A), men som genom polisens ineffektivitet och tidens gång har glidit ut i dunklet.
ReplyDelete